Yes, I kill people who piss me off…
IN MY BOOKS
I didn’t think the cliche was true either…but here we are.
I’ve rolled my eyes at comments from authors smugly laughing about converting an IRL arch nemesis into a fictional character they could kill off. I thought it was lame. Then I realised I’ve done it too. Throughout the yet-to-be-released Darkrose Novels, things have meaning. Numbers in the novels usually mean something to me. Some names/variations of character names also do. Sometimes those characters meet an unfortunate end…But I’ve never written a specific character to be the Jurassic Park goat so that I can feel amused or avenged.
I know if a character has to die to drive something in the story etc, but I haven’t written a character based on someone I knew to kill off, just to torture, for them to live a meaningless book-existence then meet a horrible demise . Support characters usually have a place-holder kind of name that suits the way they look (in my head) until I’ve got the entire feel of who they are or what they’re going to do. Once I know they’re an insufferable, evil POS, I consider naming them something to do with a similar person I know IRL. Not the other way around.

Bye bye, goat… *still from Jurassic Park!
I’m not a very vengeful person, because I’m also lazy….and…
When authors deliberately create a character to serve a personal vendetta…the story usually pays for it. You know when you’re watching a B (and lower) grade horror films… It’s entertaining, but you know who the background characters are and who’s probably going to be yeeted first. Your audience can tell these things too. Otherwise why didn’t you waste more of your word count/screen time on actually showcasing the character and letting people get to know them? AND if you do decide to do that, thinking you can dupe your reader after they’re invested, it’s a waste of word count and you’ll piss your readers off.
It’s annoying to follow an arc then watch as the character you’ve invested in just gets canned. I’m thinking of season 3 of The Walking Dead, when Andrea has this weird arc of self-discovery that is half-assed and all over the place, generally becoming an unlikable character but one with issues the audience is encourage to invest in and then…killed off in a way that was just as frustrating as the last few episodes centering on her dumb illogical antics. This was later a point of conversation with fans and critics who blamed the shake up of the behind-the-scenes line up and the writing being strange at that time period.
If you want me to instalove your character, I’m immediately suspicious and hate you preemptively. Make me genuinely like your character then BREAK MY FUCKING HEART.
That is good writing.
Make your work art, not a lame attempt at vengeance.
Then you can throw in your inside joke with yourself!
TLDR:
*KOS – there’s literally an excerpt from Red Cowboys in the back that clearly not all is as it seems…I’m okay with my decision lol
*Don’t get carried away with personal issues, we still want your novel to be entertaining!
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